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jennifer long, mother artist, self-portrait, photographer, jenniferroselong, canadian artist, jenn, long, curator, art administrator, photography, Toronto, women, feminist photography network, covid, observations from isolation, girlhood

Untitled, from the Caesura series, 2018-ongoing

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jennifer long, mother artist, portrait, tracing, self-portrait, photographer, jenniferroselong, canadian artist, jenn, long, caesura, harbourfront, photography, Toronto, women, leaf, TAC, OAC, CCA

Untitled, from the Caesura series, 2018-ongoing

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clothes pegs, fingers, girlhood, mother artist, feminist artist, caesura series, Jennifer Long

Untitled, from the Caesura series, 2018-ongoing

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Untitled, from the Caesura series, 2018-ongoing

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jennifer long, mother artist, self-portrait, photographer, jenniferroselong, canadian artist, jenn, long, curator, art administrator, photography, Toronto, women, feminist photography network, covid, observations from isolation, girlhood

Untitled, from the Caesura series, 2018-ongoing

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jennifer long, mother artist, self-portrait, photographer, jenniferroselong, canadian artist, jenn, long, curator, art administrator, photography, Toronto, women, feminist photography network, covid, observations from isolation

Untitled, from the Caesura series, 2018-ongoing

Open
jennifer long, mother artist, self-portrait, photographer, jenniferroselong, canadian artist, jenn, long, curator, art administrator, photography, Toronto, women, feminist photography network, caesura, COVID
Untitled, from the Caesura series, 2018-ongoing
Open
jennifer long, mother artist, self-portrait, photographer, jenniferroselong, canadian artist, jenn, long, curator, art administrator, photography, Toronto, women, feminist photography network, girlhood

Untitled, from the Caesura series, 2018-ongoing

From the Latin word to describe a pause or break within a poetic verse, Caesura (2018-ongoing) examines the complicated framework of the mother-daughter relationship and its connection to memory. Through the process of raising two young girls, I catch glimpses of my own girlhood mirrored back at me. Moved by the quality of light or a texture, I find myself transported back to specific moments in time. These “recalls” lead me to a questioning of the veracity of memory and are complicated by the past meeting the present as my memories are reflected in my daughters’ gestures and experiences. The images omit the buildup and undoing of the moments shown and are as fragmented and shifting as memory. These ordinary and fleeting scenes are brought together to reflect on intergenerational experience, the meaning of history, and familial understanding.


The production of Caesura was supported by Canada Council for The Arts, Ontario Arts Council, and Toronto Arts Council. The series contains over 150 images which are presented as site-specific installations.

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